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March 2023 Virtual Concert Series


Screen Compositions curated by Katherine Liberovskaya, A Video Event at Shift, 8pm
Sunday, March 19

Yet again! and for the first time in-person after 3 years on-line only because of Covid! Screen Compositions: Edition 19 (19 years!) brings you, as always, a collection of inspiring and inspired intersections of moving image with sonic art; a program of screen works representing dynamic two-way collaborations between video/film artists and sound/music artists specifically intended for single-channel projection with no live or performance component; featuring collaborations by: Robert Buck / Gryphon Rue; CHIKA /Merche Blasco + Lucie Vítková + Anette; Martha Colburn / Laura Ortman; Francisco Janes / André Gonçalves + Nuno Moita; Freddy Jouwayed + Ralph Provisero / Gustavo Matamoros; Katherine Liberovskaya / If, Bwana; Adrianne Pope / Pauline Kim; Lily Jue Sheng / Kevin P. Keenan; Janneke van der Putten / Sajjra Xhrs Galarreta; Walter Wright / Al Margolis

Please help us keep the virtual series going with a donation of any amount.  Suggested donation of at least $4.99.
SCREEN COMPOSITIONS edition 19:

1) "Grass Light on Flesh", 2022, by Robert Buck, soundtrack: Gryphon Rue approx. 7:14

2) "Stand With Standing Rock", 2016, by Martha Colburn, soundtrack: Laura Ortman approx. 00:59

3) "[to]", 2022, by Janneke van der Putten, soundtrack: Sajjra Xhrs Galarreta  approx. 10:51

4) "Sunset Gigantiq", 2023, by Francisco Janes, soundtrack: André Gonçalves and Nuno Moita  approx. 7:22

5) "SSSnailSSSlide", 2023, by Katherine Liberovskaya, soundtrack: If, Bwana, 2023  approx. 5:10

6) "CoronaCollab", 2020, by Walter Wright, soundtrack: Al Margolis
approx. 10:55

7) "Hextet", 2022, by Freddy Jouwayed and Ralph Provisero,
soundtrack: Gustavo Matamoros approx. 8:00

8) "Moon Units", 2020, by Adrianne Pope, soundtrack: Pauline Kim  approx. 14:07

9) "En", 2023, by CHIKA, soundtrack: Merche Blasco + Lucie Vítková + Anette  approx. 3:27

10) "Force Majeure", 2017 by Lily Jue Sheng, soundtrack: Kevin P. Keenan  approx. 5:02