Katherine Liberovskaya is a video and media artist based in Montreal, Canada, and New York City. She has been working predominantly in experimental video since the late eighties. Over the years, she has produced many single-channel videos and video installation works, some of which have earned awards and mentions in Europe and North America. Her works have been presented at a wide variety of artistic venues and events around the world among which: Diapason Gallery, NY, Netmage, Bologna, MUU Gallery, Helsinki, Bunkier Sztuki National Gallery, Krakow, M'ARS Gallery, Moscow, Gallery 21, St-Petersburg, Gallery Ssamzie, Seoul, Stazione di Topolo - Postaja Topolove, Italy, Institute for Transacoustic Research (Iftaf), Vienna, Balazs Bela Studio, Budapest, Gallery Parzival, Berlin, Erasing, Belgrade, ISEA 2004, Helsinki, The Subtropics Experimental Music Festival, Miami, Images, Toronto, FCMM, Montreal, Osnabrück European Media Art Festival, VIPER, Basel, offline@online Media Art Festival, Tallin, WRO Festival, Wroclaw, Festival Internacional de Nuevo Cine, Havanna, VideoMedeja, Novi Sad, Mass Cultura, Lisbon, Les instants vidéo de Manosque, France... She has held numerous grants and arts awards in Canada and in France where she studied media arts. In addition to her art practice she has concurrently been involved in the programming and organization of diverse media art events, notably with Studio XX in Montreal (programming coordinator 1996-1998, president 2001-2003), Espace Vidéographe, Montreal and Experimental Intermedia, NY (Screen Compositions 2005, 2006, 2007, 2008) as well as the OptoSonic Tea series at Diapason in NY since 2006. Her articles on video and media art have been published in ESSE-Arts + Opinions, la Revue Électronique du CIAC, the Banff Center's HorizonZero and the Canadian Journal of Communication. In recent years her work mainly revolves around collaborations with new music composers, notably Phill Niblock ('Babel-On', 2004,installation, 'Painting the Painting', 2003, single-channel video, 'Topolo: de Passato a Avvenire', 2005, installation, 'Four-Wheel Drive', 2007-08, single-channel video and installation), as well as Al Margolis/If, Bwana ('Take-off', 2006, installation), David First ('Mountain/Reflex and River/Wind' performance, 2008), David Watson ('Bagpipe Extrapolations' performance, 2007) and Zanana ('Sub-Veillance' performance, 2008). In 2003 she began exploring live video mixing, using MAX/MSP and Jitter, in improvisation with live new music/sound. Since, she has performed live video mixing at a variety of venues in NY, Montreal and Europe with a number of music/sound artists including: Hitoshi Kojo, o.blaat,, Margarida Garcia, Barry Weisblat, Vortex (Satoshi Takeishi + Shoko Nagai), Mary Halvorson, Toshio Kajiwara, Shelley Hirsch, Anthony Coleman, Tiziana Bertoncini, Thomas Lehn, Urkuma, Angelica Castellò, Micheal Delia, Antonio Della Marina, Giuseppe Ielasi, Renato Rinaldi, Richard Geret, Gill Arno, Ben Owen, André Gonçalves, Matt Pass, Monique Buzzarté, Alessandro Bosetti, Audrey Chen, murmer, Max Shentelevs, John Grzinich, the Notekillers, Marina Rosenfeld, Jim Bell, Jason Kahn, Anne Wellmer, among others.

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